beccatoria (
beccatoria) wrote2010-04-19 12:33 am
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Fringe: White Tulip
This was a surprising example of a standalone I thought worked really well. If I had one major criticism of Fringe, overall, it would be the way it relies so much on the standalones and therefore the mythology crawls forwards. Though if it became more arc-ish I'd probably have to worry about Fox canceling it for being too impenetrable. Ah, who am I kidding, I worry about that anyway.
It was a great standalone because it was really about Walter.
It was the story of a day when Walter woke up and found a White Tulip, and it was surprisingly moving.
Still, I feel the need to explain why, because it's not, perhaps, the first reason that comes to mind.
I'm an atheist, and fairly passionate about that belief, and this does inform my relationship to narratives about G/god/s. I also absolutely adore religious mysticism in stories. Religion is interesting. The concept of God is interesting. While I tend to get cranky when God in the Story becomes a God from the Machine, I think religion can and should be explored in a variety of ways especially in science fiction.
However, a combination of objective and subjective issues make me very wary of Walter's proclamations in this episode.
Objectively, this is a new character trait brought out seemingly only because it sets up the wonderful moment at the end. While it's possible to argue that guilt can change people's beliefs or needs, I still don't know that believe it's in character for Walter to suddenly be asking God for forgiveness.
Subjectively, I'm not sure I like the implications of doing this at this time and in this way. For a previously atheist character to suddenly begin searching for God during a period of great confusion and guilt with no explanation or qualification, narratively speaking, comes perilously close to suggesting that no explanation is needed because such behaviour is natural. Because everyone needs God. Bluntly, I very much enjoy Walter as the shell of a man who once did terrible things in his arrogance. But I am very much not interested in seeing his reformation symbolised in part by a belief in God.
I don't believe that Walter will suddenly become a very religious person (another way in which the episode essentially felt like a setup where a fairly out of character initial plothook was used to get to a wonderful moment). But I still think it's worth noting that "I'm a better person because now I think that there might be a God to forgive me while before I was too arrogant to consider that possibility," is pretty much right at the top of Things I Hate when God shows up in stories.
I don't want the dangerous parts of Walter's arrogance to be explicitly tied to his atheism and I feel that's partly what's happening here.
So, I acknowledge that my personal views affect my reading but at the same time, I don't think it's as simple as I'm an atheist and therefore hate God as a motivating force.
WITH THAT SAID.
I did like that if Walter is going to approach God in any fashion, he does so specifically, impossibly and in the manner of a crazy scientist.
I would have preferred that the White Tulip have been some kind of control test to see if God existed, or a facetious challenge his younger self had thrown out to Dr Warren, perhaps. But if Current!Walter was going to ask God for forgiveness, then yes, this is how he would do it.
But perhaps what I like most is that, annoying as I found Walter's need for forgiveness from God, per the narrative of the story, that's not actually what he received.
(Setting aside, for the moment, the "God moves in mysterious ways and clearly orchestrated all this," perspective since I don't find it narratively fulfilling for the reasons stated above.)
What he received was forgiveness from a friend; perhaps more movingly, ultimately, he received it from himself.
And that's what I find beautiful about this episode.
By Fringe's crazy scientific standards, this is a completely logical and explicable tale that nonetheless is, ultimately, the story of the day Walter woke up and was granted grace.
Not from God, but from himself (which is beautiful and sad). Not from God but via crazy, messed-up science (which is beautiful and terrible and sad).
I still wish this episode had clarified why Walter turned to God at this point; had taken some space to distance itself from the potentially simplistic implications of such a decision.
I still hope that the show did not mean anything that simplistic.
But assuming, for the moment, that it didn't, it was an extraordinarily moving moment.
Why aren't all standalones like this?
In other news,
emmiere already posted this, but I feel it is a public service announcement to point out that Olivia Dunham is a Private Eye. Or will be in Fringe's musical episode that will air at the end of the month, which has the potential to be awful, but I have decided to anticipate with unabashed joy under the assumption that it will be delicious, delicious, deadly serious CRACK.

It was a great standalone because it was really about Walter.
It was the story of a day when Walter woke up and found a White Tulip, and it was surprisingly moving.
Still, I feel the need to explain why, because it's not, perhaps, the first reason that comes to mind.
I'm an atheist, and fairly passionate about that belief, and this does inform my relationship to narratives about G/god/s. I also absolutely adore religious mysticism in stories. Religion is interesting. The concept of God is interesting. While I tend to get cranky when God in the Story becomes a God from the Machine, I think religion can and should be explored in a variety of ways especially in science fiction.
However, a combination of objective and subjective issues make me very wary of Walter's proclamations in this episode.
Objectively, this is a new character trait brought out seemingly only because it sets up the wonderful moment at the end. While it's possible to argue that guilt can change people's beliefs or needs, I still don't know that believe it's in character for Walter to suddenly be asking God for forgiveness.
Subjectively, I'm not sure I like the implications of doing this at this time and in this way. For a previously atheist character to suddenly begin searching for God during a period of great confusion and guilt with no explanation or qualification, narratively speaking, comes perilously close to suggesting that no explanation is needed because such behaviour is natural. Because everyone needs God. Bluntly, I very much enjoy Walter as the shell of a man who once did terrible things in his arrogance. But I am very much not interested in seeing his reformation symbolised in part by a belief in God.
I don't believe that Walter will suddenly become a very religious person (another way in which the episode essentially felt like a setup where a fairly out of character initial plothook was used to get to a wonderful moment). But I still think it's worth noting that "I'm a better person because now I think that there might be a God to forgive me while before I was too arrogant to consider that possibility," is pretty much right at the top of Things I Hate when God shows up in stories.
I don't want the dangerous parts of Walter's arrogance to be explicitly tied to his atheism and I feel that's partly what's happening here.
So, I acknowledge that my personal views affect my reading but at the same time, I don't think it's as simple as I'm an atheist and therefore hate God as a motivating force.
WITH THAT SAID.
I did like that if Walter is going to approach God in any fashion, he does so specifically, impossibly and in the manner of a crazy scientist.
I would have preferred that the White Tulip have been some kind of control test to see if God existed, or a facetious challenge his younger self had thrown out to Dr Warren, perhaps. But if Current!Walter was going to ask God for forgiveness, then yes, this is how he would do it.
But perhaps what I like most is that, annoying as I found Walter's need for forgiveness from God, per the narrative of the story, that's not actually what he received.
(Setting aside, for the moment, the "God moves in mysterious ways and clearly orchestrated all this," perspective since I don't find it narratively fulfilling for the reasons stated above.)
What he received was forgiveness from a friend; perhaps more movingly, ultimately, he received it from himself.
And that's what I find beautiful about this episode.
By Fringe's crazy scientific standards, this is a completely logical and explicable tale that nonetheless is, ultimately, the story of the day Walter woke up and was granted grace.
Not from God, but from himself (which is beautiful and sad). Not from God but via crazy, messed-up science (which is beautiful and terrible and sad).
I still wish this episode had clarified why Walter turned to God at this point; had taken some space to distance itself from the potentially simplistic implications of such a decision.
I still hope that the show did not mean anything that simplistic.
But assuming, for the moment, that it didn't, it was an extraordinarily moving moment.
Why aren't all standalones like this?
In other news,
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He totally wins. Even more so than Olivia Dunham.
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The only point I really disagree with you on is the "sudden"ness of it. And yeah, for a second there I was all "Wait, Walter believes in GOD?" because of what he said to Dr. Warren in "Peter", and then I realized that Walter believes in God exactly because of that conversation with Dr. Warren in "Peter". (I want to know how Dr. Warren dies, the specifics, I mean, SO BADLY now! You have NO IDEA!)
OMG, I can't WAIT for the ICONS from that EPISODE! It will make the whole AWKWARD MESS worth it!
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i think that fringe has been doing much better with its standalone eps and with tying them to the larger mythology than last season [fringe is actually much better at this than, for example, supernatural, where you can go 3-4 eps without even hearing about the larger arc].
omg, that musical episode looks like the most cracktastic thing ever! i can't wait :D
my most pressing question: will you vid fringe?
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No, I thought that too, especially since we did see arrogant Walter in all his eighties glory just recently. Juxtaposed with Dr. Warren, it's not hard to make that association (even though I'd be more interested how her faith affected the decision to continue in what was likely morally dubious work). I do think Walter has mentioned God in more vague, but similar ways a couple of times before this and it caught my eye because I thought it was potentially a weird character thing for him. And I'll admit that my own perspective on things means I missed some of the implications you saw, but your worries are completely legitimate.
That end scene though is just...a completely beautiful moment, for exactly the reasons you say. And while I don't think the show is necessarily staking a place on the matter, I thought that Other Scientist Dude(?) was a good counterpoint, talking about science as God. The parallels of grace and choice just worked really well for me.
(And I as a side note, I totally sympathize trying to define a more complex argument from the perspective of just having done this from the opposite way, as a non-atheist talking about the secular humanistic view of religion on B5. As you might know. ;) It made me laugh watching this the next day.)
Also, based on Private Eye Olivia Dunham and
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Bluntly, I very much enjoy Walter as the shell of a man who once did terrible things in his arrogance. But I am very much not interested in seeing his reformation symbolised in part by a belief in God.
THIIIIIIS. I like that Walter did not feel guilt and now he does. But I like Walter's guilt as a human being; I suspect the closer it is tied to god, the less I will like it. I like it as internal change and growth and reflection; I do not like it as an external appeal to some higher authority. Logically I know it's not that clear cut, because even if he has some newfound desire to believe in a god to forgive him, that's internal change too. But. . .it's still an important distinction for me. So, um, maybe I should actually watch this ep before rambling any more!
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I'm still looking forward to next week because, well, NOIR!OLIVIA FTW. It will be gorgeous crack, I'm positive, because you can feel that atmosphere just ready to burst out of all Fringe's serious episodes.
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