So listen, guys, I usually like to wait a little longer before recommending a run of comics, basically just because, well, comics. Those things go off the rails in big ways sometimes. But honestly, based on what's out so far, I really think that Genevieve Valentine's Catwoman run (which started with #35) is worth looking at, even though there are only three issues and an annual so far.
Here's my pitch:

Here's my slightly more detailed pitch, including the backstory of how she got to be in such a situation (because, of course, it was in a different comic) and slightly more about Catwoman's rejection of Batman than is really necessary for a series where he's a minor supporting character, but 1) I am all about people rejecting Batman and 2) I'm trying to keep spoilers for Valentine's run to a minimum and sticking with the type of stuff you might get in a blurb, so I need SOME way of explaining to you why this run has such a perfect set up.
( NO BUT REALLY JUST READ IT. )
Also featured: police investigations, tense relationships with newfound cousins, every single mobster assuming she's there to take the money then cut and run or that she's "too soft", and angry, angsty, accusatory talks with Batman on balconies.
Also featured: quotes from Elizabeth the First, Caterina Sforza and the Pillow Book (because it is as necessary as the Art of War.)
Also: Genevieve Valentine apparently writes award-winning steampunk novels? I mean, I haven't read anything else by her, but come on, that's just cool.
(No but seriously read it already.)
Here's my pitch:
Selina Kyle, convinced this is her ninth life, looking for redemption as a Gotham mob boss, selling her soul in pieces against a beautifully non-sexualised noir backdrop of business suits, shadows and late-night phosphorescent streetlights, splashed against a charcoal, pencil-sketched palette.

Here's my slightly more detailed pitch, including the backstory of how she got to be in such a situation (because, of course, it was in a different comic) and slightly more about Catwoman's rejection of Batman than is really necessary for a series where he's a minor supporting character, but 1) I am all about people rejecting Batman and 2) I'm trying to keep spoilers for Valentine's run to a minimum and sticking with the type of stuff you might get in a blurb, so I need SOME way of explaining to you why this run has such a perfect set up.
( NO BUT REALLY JUST READ IT. )
Also featured: police investigations, tense relationships with newfound cousins, every single mobster assuming she's there to take the money then cut and run or that she's "too soft", and angry, angsty, accusatory talks with Batman on balconies.
Also featured: quotes from Elizabeth the First, Caterina Sforza and the Pillow Book (because it is as necessary as the Art of War.)
Also: Genevieve Valentine apparently writes award-winning steampunk novels? I mean, I haven't read anything else by her, but come on, that's just cool.
(No but seriously read it already.)